After a week of hibernating and not checking up on new music, I was excited to see a new video from Sia. Well, what I thought was a new video from Sia. Sia has had an amazing run with Dance Moms Star, Maddie Ziegler, as the two have teamed up for videos: ‘Chandelier,’ ‘Elastic Heart,’ and ‘Big Girls Cry.’ It’s also been quite a space in between the videos being released and since it hadn’t been a month since the release of the ‘Big Girls Cry’ video, a video release for ‘Fire Meets Gasoline’ is interesting.
Now when first watching the video, I like many others, was expecting to see Maddie Ziegler. Well that’s not the case. Continuing on with my “review” from first glance I didn’t even realize that it was Heidi Klum and as I am not a Game of Thrones avid watcher I did not know that was Pedro Pascal either. What looked to be an affair as it kept switching back and forth between Heidi and Oscar being all lovey dove to a woman in the dark disheveling a room. It switched back and forth and back and forth. After watching the video I was left with three questions:
- Why did they burn the house down?
- What’s with the bloody rock?
- What’s the point of the signature Sia wig at the end?
I’ve watched the video numerous times sine then and yeah, I’m at a lost. Before learning that this was NOT, I repeat NOT a Sia video, I was thinking this is completely different than other Sia elements. Sia’s videos are usually grungy and viewers do have to read between the lines to fully get the concept. That’s why I was disappointed with this video because it was just a lot of rolling around and Heidi posing in her lingerie and not enough SUBSTANCE. That’s when I decided to further look into the video.
The video is featured on Sia’s VEVO, but I did not read that the title states “by Heidi Klum.” Sia also tweeted:
Fire Meet Gasoline is not an official music video, not is it my new single. Its a lingerie commercial to which I licensed a song.
As for comments from Heidi:
I love great collaborations and to be given the opportunity to appear n the video while wearing my Heidi Klum Intimates collection, is definitely up there.
Well, there you have it. For all those fans disappointed to not see Maddie or just not content with the concept of the video compared to others, this is not a Sia production. Regardless I still love the song and the video wasn’t too shabby. Check out my album review of 1000 Forms of Fear and take a look at the “lingerie ad” below:
Note: Be sure to click the links in bold to view previous posts.
Sia has released yet another video for featuring Maddie Ziegler, this time for ‘Big Girl Cry.’ 1000 Forms of Fear is Sia’s biggest U.S. takeover and I’m excited for her new album. Sia and Maddie first teamed up with the Summer Smash, ‘Chandelier,’ ‘Elastic Heart,’ and now ‘Big Girls Cry.’ They’ve also taken over with their innovative performances on Ellen, Dancing With the Stars, Jimmy Kimmel, SNL, and at the 57th Annual Grammy Awards.
This time around Maddie still has on the signature nude leotard and blonde wig, but she’s sitting which is different from the previous two videos. She’s stated in an interview with Entertainment Weekly (January 2015) that this type of dance is different than what she’s used to:
I didn’t even know what to say. It was such a big change for me, because I’m not used to doing that style in normal dance competitions. It was definitely very different for me, but I love being able to do that kind of style.
I don’t know! It’s like, quirky, contemporary-ish. It’s pretty much all different things put together, because some parts are really soft, some parts are quirky, and then there’s the huge dance break. It’s all different.
At 12 years old she’s living a dream. She has a bright future ahead of her and it’s great that she’s able to get out of her comfort zone now and taste the fame. Hopefully more artists will call her on for some choreography. ‘Chandelier’ is definitely one of the greatest videos of all time. She’ll always have that as a reminder of how talented she is.
Sia and Maddie have had quite the run. Check out their latest collab below:
Be sure to check out my year end review HERE and my non-music obsessions HERE. Cheers to great music and more reviews here on Music Moving Forward in 2015. Check out some of my favorite songs of the year below (via Spotify).
Sia is no stranger to making music for others and as an artist, but I have fallen in love with her music since hearing ‘Chandelier’. It is more than just my favorite song of 2014, but one of my favorites of all time and the video especially sealed the deal (CLICK HERE for my review of ‘Chandelier). I am engrossed with not just her music, but her personality. Well since her popular trek of writing for the stars she’s back with an album of her own titled, 1000 Forms of Fear.
The album features twelve tracks and is available anywhere you can imagine: iTunes, Amazon, Target, Walmart, etc. Amazon sells it for the cheeps for $3.99. Be sure to click the links for the other prices. Now let’s get into the TRACK BY TRACK.
- ‘Chandelier’: There’s no need for me to continuously rave about how amazing this song is. It should be getting more airplay than it does. It’s just over three and a half minutes and in those three and half minutes she’s really not saying much of anything. Her story is brief, but you can hear the message. The solidity of the song came in the visual. I’m the one “for a good time call” Phone’s blowin’ up, ringin’ my doorbell. I feel the love, feel the love. She’s an awesome storyteller.
- ‘Big Girls Cry’: When I first heard this song I fell in love with it. The first six seconds reminded me of JoJo’s, ‘Leave (Get Out)’ and the title was the opposite of Fergie’s smash, ‘Big Girls Don’t Cry.’ The song contrasts the lyrics of ‘Chandelier as the story goes on of never getting that phone call and people only seeming to call when they want something. I’m at home / On my own / Check my phone / Nothing, though / Act busy / Order in / Pay TV / It’s agony
- ‘Burn The Pages’: This song picks up pace from the previous two and I am the ultimate sucker for a good beat. Yesterday’s gone and you will be ok / Place your past into a book / Burn the pages, let ’em cook. Based off the message of the other two tracks this one is metaphorically explains the emotions of the tears being bottled up inside [You’re dark gray like a storm cloud that’s swelling up with rain that is desperate to be let out], but it’s ok to let it go. It’s more so of burning the bridge and moving on. I love her metaphors, very clever.
- ‘Eye of The Needle’: She slows it back down with this track. It may seem that she’s left the pain behind, but this one is for that relationship that you try to act as if everything is ok when it really isn’t. Tears fall to the beat / Smile through pain / Feel the acid rain. I cannot get over how clever she describes tears. And you’re locked inside my heart / And your melody’s an art. This is one of the most beautiful on the entire album.
- ‘Hostage’: This song is very more rock star than her previous four. This song is like the opposite of ‘Eye of The Needle’. In ‘Eye of the Needle’ it’s somberly explaining how she’s in this relationship bottling everything up and on this upbeat track she builds on that and goes back to her formula of the one word ‘hostage.’ Put me in cuffs, lock me up / I’m held hostage by your touch / This prison is rough but I can’t get enough. Very nice.
- ‘Straight for the Knife’: This track ties into that of ‘Eye of the Needle’ and ‘Hostage’ effortlessly and is more so similar to ‘Hostage’ except with a more sullen beat. Boy, you draw me back in
I’m hungry for your bad loving. She’s stuck in this relationship and he’s stabbing her with his lies and she just keeps taking it all in. But will someone find me swinging from the rafters / From hanging on your every word. Sometimes that happens in ‘love’. You’re so deep in it that you can’t do not want to look past all the clues. It’s like a drug that keeps luring you in.
- ‘Fair Game’: Next to ‘Chandelier’ this one is definitely one of my favorites. Aside from the previous three this one is on to a new love and she’s met her match, hence ‘fair game’. And I’ve never played a fair game/ I’ve always had the upper hand. Throughout the song she talks about she’s always had the emotions under control, but from the previous tracks it doesn’t really seem that way. In this one she’s not trying to face her past, but he’s bringing out all these emotions within her that makes realize that she’s met her match. Let the game begin. It’s really what she always wanted.
- ‘Elastic Heart’: Out of the eleven other tracks, this is the only one to have a feature that is not mentioned in the track listing. The Weeknd comes in mid song. I’ve got thick skin and an elastic heart. It might have seemed like she met her match in ‘Fair Game’, but no that’s not the case. This time around regardless of what a guy does to her from now on she’ll bounce back. Her heart will magically brush off all the pain, but then again of course it will being that she no longer trusts men.
- ‘Free The Animal’: As soon as I heard the beat I instantly thought radio hit. It definitely has that Top 40 vibe. She wants to be detonated, granulated, decapitated, and emancipated. It’s cool if you don’t know what all that means as she gives an example after each word. I kept trying to figure out what the hell this song meant, but after listening again it’s a HUGE sexual innuendo. He can have all of her and vice versa. Very, very clever. Read the lyrics along with the song FOR SURE on this one.
- ‘Fire Meet Gasoline’: This song is similar to the concept of ‘Free The Animal’ except the beat has slowed down and this is more sensual than hardcore. Fire meet gasoline / I’m burning alive / I can barely breathe / When you’re here loving me. Between the two it’s hard to choose because it shows to different sides. Great contrast between the two.
- ‘Cellophane’: This song musically is one of the darkest on the album. Instead of talking about sex in this one she becomes a fragile object on the doorstep semi-ready to pour her heart out. You can’t show up to someones house in tears and agony and expect them not to ask what’s wrong and your response be nothing. Can’t hide the pain, can’t hide the pain / When you’re wrapped in cellophane. It seems like she can’t escape the pain no matter how many attempts to love and fight for new love she ends back up at square one.
- ‘Dressed In Black’: I love the beat of this song and how it’s elongated at the end. It’s like will it ever end and what a great way to close out the album. The beginning of the song sounded as if she had been bamboozled by love yet again. I had given up, I didn’t know who to trust, oh / So I designed a shell / Kept me from heaven and hell. As you listen on things seem to sound better. Throughout all the pain and the love she thought she had found she finally found that happy ending.
You took my hand in yours
You started breaking down my walls
And you covered my heart in kisses
I thought life’d passed me by
Released my tears ignored my pride
Life had broken my heart, my spirit
And then you crossed my path
You quelled my fears you made me laugh
And you covered my heart in your kisses
Sia has talked about the method behind her perfection of songwriting and it begins with just one word. In the case of this album I was expecting it to be one word song titles and although that would’ve been cool, it would’ve also been too safe. Out of the twelve tracks she only has three that revolve around one word: ‘Chandelier’, ‘Hostage’, and ‘Cellophane’. It was really, really hard for me to choose my top 5 because I really enjoyed all twelve, but here they are:
- ‘Eye of the Needle’
- ‘Fair Game’
- ‘Free The Animal’
- ‘Dressed In Black’
This album overall is a very nice compilation. Sia is an amazing storyteller and as her stories are similar each one gives a different message. Based off her video for ‘Chandelier’ I would love to see a visual component with this album. It’d be great if every video was interpretive dance. One can dream. The album does go tit for tat with the tempos, but her songs are very deep and you do have to listen closely in certain sections because it does sound like she’s mumbling. It’s a great listen if you’re looking for deeper meaning lyrically and not just Top 40.
Lyrically the album revolves around the pain that people tend to mask and the music can get overlooked if the beat isn’t there. The more that I have listened to the album it is amazing and there are some that can make their way to radio, with proper promotion of course. Great compilation from Sia. If you have the time pull up the lyrics and read them along to her music. It gives new life to the tracks. Reading can add impact and in this case it does. Reading the lyrics for me was like deciphering poetry. Her lyrics make you think and for me that’s what music is about; taking you from your life and into the world of another.
Stream the album below (via Spotify):
I am in awe and amazement of how beautiful this video is for Sia’s amazing and heartfelt track, ‘Chandelier’. I have never heard music like this from Sia before but I do know of her songwriting and this song is by far my favorite. When I envisioned a video for this I automatically thought interpretive dance with Sia singing on the sidelines. This song is just the perfect dance song and to see a video with straight dance just made me fall in love with this song even more.
Some people may not understand interpretive dance, but if you look closely at the movements in the video it’s pretty easy to catch on to and keep up with. The video stars one of the dancers from Dance Moms, Maddie Ziegler. At just 11 years old she powered through this song with ease with tons of flexibility, great facial expressions, and a blonde bob wig similar to the hair of Sia’s making the song so much more personal. She starts dancing in the bedroom moving to the kitchen then to the living room and then the scene that caught me was when she put her head between the curtains and was waving goodbye and slowly sinking down between them. The imagery and passion I felt through this dance makes this one of the best videos I have seen in a long time and by far the greatest of the year so far.
It’s rare to come across videos where artists take the time to come up with a concept and not just throw extras into video and put them on a yacht and float on some ocean. It takes a lot of courage for an artist to be vulnerable enough to want to share their lives with fans and take their artistry to another level with the visual. This song has been on rotation for me since I first heard it back in April and this video just solidified my love for it. Kudos to the production of this. Amazing video.